Finding value.
Had an audition today for a comedy where I couldn’t find the funny. This is peculiar because I love comedy and I think I’m an acute miner of it’s treasures. Not this time.
When I first taped for this part (in Toronto), I was unaware it was a half-hour, single camera comedy. The scene – to me alone – read like a drama. For that reason, I couldn’t view it through any other prism.
There are three interesting things to consider:
- Labeling something one way and then not finding a way to be flexible is an excellent argument against stereotyping based on appearance. (Just saying.)
- My audition was excellent from an acting standpoint and poor from a genre standpoint. I know this because…
- THE CASTING DIRECTOR TOLD ME! Right after we finished the audition he told me exactly what I did right, “You’ve got chops young man.”, and exactly what I did wrong, “You need to do a better job of understanding exactly what you’re reading for.”
That was a laser like assessment. My counter – that I accidentally got stuck in the “drama lane” and couldn’t switch back – is irrelevant. Which is why I listened to everything he said. This casting director, a big casting director, will see me again. He’ll cast me, eventually.
There was value in today.
The extent of my decorating. UPDATE.

My living room window.

My shower curtain. I could not be happier with this decision.
Back in Hollywood.
Three auditions today. Three. III. Currently attempting to wrap my head around the “three in one day” technique; it’s a methodology normally reserved for female porn stars and Alex Rodriguez.
We’ll see what we’ll see. And… I’ll post some photos later today.
Happy to be back. (Small “h” home.)
EDIT: My agent just called this a “pilot season scenario.” I like my passively dirty analogy better, which is not to say that I don’t agree with him.
EDIT #2: In lieu of pictures (since it was rainy and gross) there will be a video.
Premature E-POST-ulation.
If you read 64 Days in Toronto tonight you might have missed the second half of the post. Sorry… I’ve got an itchy posting finger.
EDIT: Kind of excited for 20,000 hits.
Finding your lane.
A few things to discuss before I file an actual piece of writing:
- I am not in LA.
- I am mostly not on Facebook.
- If you venture west on Queen Street in Toronto, there is a 45% chance that you will run into me.
- I’m going to LA.
- I’m moving there permanently.
- This move will happen sometime between this Saturday and any day after this Saturday.
My work: Becoming an actor isn’t easy. Becoming anything isn’t easy… But there’s an idiosyncratic element for any arts-driven industry that is incredibly difficult for you, or anyone in your life, to understand.
Namely, the tether between financial success and professional accomplishment is incredibly long in the arts. How good (or not good) you are at your vocation doesn’t always translate to an impressive financial portfolio. Actors, musicians, writers, painters and any other niche in the arts have to arrive at this realization before their career can be fulfilling.
Why, you ask? (Glad I’m here.)
What is acting if the fiscal aspects of it dominate your thought process? Well, then it’s just a job. And if it’s just a job you might as well work 90 hours a week for a boss you don’t like at a company you don’t believe in with decent benefits and five weeks vacation. That’s a hard path. Which makes it ironic when people who go down that road give you the whole ”acting’s a tough industry” speech. I’ve said it before and I’ll say it again: Acting isn’t a tough industry. Insurance is a tough industry. Welding is a tough industry.
These people don’t think acting is “tough”, they think it’s unrealistic. They think it’s foolish. But they don’t have the temerity to use those words, so they call it something vague and gentle. I’d feel sorry for people with such a narrow view of the world, but I honestly don’t have the time.
Which brings me, instead, to how I feel about myself as an actor. About a month ago, acting stopped being my job and started being an extension of my personality. That doesn’t mean that I’ve taken a shining to being disingenuous… It means the pursuit of my craft has fastened itself to my spirit. The work and the practice and the auditions and the self-tapes and the contract offers and the rejection have become my lifeblood. I’ve never been happier, prouder or more interested in what I do. I’m so grateful for that.
My first acting job was in 2004. Six years later, I found my lane.
A self-tape shot from yesterday. My favorite self-tape ever.




